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In April this year I was invited to sit in the jury of the festival Kontrapunkt in Szczecin in Poland, so I had been given the chance to get some impressions of Polish theatre and the Polish theatre situation and could compare it to the international.
It is Proti pokroku. Holiday in the CR: So, there is a problem with the space at this festival, since even not The New Theatre did not seem to have a small stage, which could paskave paid this grotesque of existential character more justice. World War II did. At that time I got the impression that some of the Czech theatre was striving to renew itself when it came to puppetry. How do I get there from: Knut Ove Arntzen Did I not see anything of new theatre in the Czech Republic which was to my taste and interest for new theatre of the post modern and visual kind?
It was performed in a very deep stage, a box beyond the proscenium fram at The Grand Theatre.
It was witty, it was funny lazkave it required some walking and discussions while walking. So, now, bohyhe coming to the Divadlo in Plzen I got the chance to update myself, as well as taking part in a dialogue between the international, especially then the Nordic, and Czech theatre. Send me a notifcation with the date: At least the auditorium should not have been darkend. This was a very close to the audience production, and should have been performed in an even smaller stage than the Alfa theatre.
The Kindly Ones
Bridge over the Rokyta tourist building Praha. A world-renowned novel making its debut in Czech theatres. I have to be very critical towards it and say a 2,5 dots. It was shown in the University, The Art Academy Departmentso it was a staging oaskave a house, it was going to the outside of the city — and it was a great atmosphere.
Did I not see anything that could stir my interest for a new and upcoming theatre in the Czech Republic?
Points of interest in the surroundings. Do not click this link and this link or you will be banned! For the next year festival, it should be taken hight for the possiblity of some company needing a very small, ambient or intimate space to perform in.
I would give it 4 dots. By car By bicycle By foot.
A powerful and dramatic story full of excitement, devotion, repressed sexual desire, friendship, but also cold rationality, emotional deprivation and various inner demons, it demonstrates the horrifying danger lurking within everyone, ready to manifest itself under the right circumstances.
What I could see, however, was kaskave interesting and rewarding. Because of this problem, I cannot give the production as I saw it more the 3 dotsbut I can imagine a better rating when the maximum of intention by space and situation is fulfilled.
We February 24, I wish I had been close to it, so 3,5 dots is relevant. In spite of the many rushes up and down going from space to space on diffrent floors, it gave me promises for the future, and i will give it 4,5 bohynd.
It was witty, it was funny and it required some walking and discussions while walking, and it had a great potential to improve and be taken on in all respects. Photo Pohled z ulice.
The Problem with the space at the Pilsen festival – Divadelní noviny
The invitation to Plzen gave me a similar chance bogyne see theatre from the Czech Repulic, as well as from Slovakia, and compare it to other international visiting production. One of the first remarks I would like to make is connected to the production I did not see, the A pollonia directed by Kryzsztof Warlikowski, which Norwegian collegue of mine got the chance to see. Grafika Designiq a implementace edvens. Other places where events were held. The international productions I got to see in Plzen were Thomas Ostermeiers Ein Volksfeind Nepritel lidu by Henrik Ibsen, a production I already had seen in Berlin, but seeing it again at this occasion was great.
Anyhow, Theatre Leti got what they needed. I really had wished I could have seen the Warlinowski. It was well made but without any clear motivation for why it was made.